How Splatoon's Dark Secrets Creates the Illusion of Lore [SPOILERS]

Splatoon. A game about squirt gun battles, right? Wrong. Or is it?

Splatoon's sunken scrolls, the source of almost all of Splatoon's lore, is often passed up by the majority of the player base. These collectable scrolls document many things: the most notable of which is the possibility of Splatoon being set in a post-apocalyptic Earth.

These scrolls make the writing really deep, right? That's how it works? Well, you're right. Or wrong. Or right? I'm confused.

The truth is, really, is that these scrolls serve as nothing more than collectables, not writing. Instead, these collectables provide the illusion of a deep, immersive world.

While the contents of the scrolls are dark, and even considered "deep," they are subjective. This fact means that the scrolls themselves only provide an idea of what Splatoon's lore might be. That isn't a bad thing, however.

Splatoon's bright, bubbly, colorful aesthetic is the most iconic thing about the game, and if the lore wasn't so hidden and vague, the feel of the game might just be soiled.

In conclusion: Splatoon's attempt at lore-building falls flat of an actual expansive lore. However, it succeeds in creating possible scraps of a plot without ruining the integrity of the game.

...And I won't get into what exactly is up with Judd.

Comments

How the Borderlands Series Does Diversity Right

Borderlands (2009), Borderlands 2 (2012), and Borderlands: The Pre-Sequel (2014) are games known mainly for their combat and their humor, but there is a third aspect that goes unrecognized: its writing. There are two fantastic elements to the writing in the Borderlands series: the lore, and the characters. In this article we'll be talking about the latter: the characters and their diversity. The characters in Borderlands are some of the most diverse in modern gaming. From Sir (Alistair) Hammerlock, a disabled gay man who hates his older sister; Zer0, an assassin for hire whose true identity, species, even his name, is completely unknown; to Krieg, whose mental state is, well, unordinary. Hell, there's even an enemy class comprised entirely of "midgets." And yet, throughout the series, none of the gratuitous diversity feels out of place. In this day and age of shoehorning and pandering, how do they manage to do it right? First is the topic of visual storytelli...

How Half-Life Creates a Hidden Multiverse [SPOILERS]

If you played Half-Life and Half-Life 2 without fully grasping the entire plot, I don't blame you. There's a lot to take in. Not the least of which is the massive multiverse in which the games take place. It's very easy to miss, but in fact both games' main antagonists come from elsewhere in this multiverse. In the first Half-Life, the main antagonist, the Nihilanth, is actually running from the main antagonist of Half-Life 2 during the events of the game. The Nihilanth is the last of its kind, hunted to extinction by the Combine, the antagonists of Half-Life 2. The Combine are essentially inter-dimensional conquerors whom enslave entire species and drain entire planets of their resources. Half-Life starts the series as a simple alien-themed FPS, but with the introduction of Half-Life 2 the series quickly evolves into a massive story about the inhabitants of Earth fighting back against inter-dimensional forces. The plot in these games are fairly subtle, probabl...

VG Write

Search This Blog